Fargo Season 4 Teaser

[SIZE=7]Fargo Season 4 Teaser Apologizes for Series’ Awkward, Temporary Pause[/SIZE]
Posted on May 28, 2020 | by Ray Flook | Comments
As fans of the award-winning FX anthology series Fargo await news on when the fourth “installment” (translation: season), Noah Hawley and season star and executive producer Chris Rock want you to know that they feel your pain but they need to ask for a bit more “Patience”. Actually, that’s also the name of the teaser that was released on Thursday (though it did have a blink-and-you’ll-miss-it brief life on YouTube earlier this week), showing Rock’s Loy Cannon and Glynn Turman’s Doctor Senator patiently waiting on someone and/or something. Aside from the fact that we’re already locked in after less than 30 seconds, the clip’s great because it essentially represents the two sets of emotions we’ve been feeling about the wait.

When the series does return from its coronavirus-related production shutdown and makes it to air, Rock is promising viewers that if there’s one word to describe the fourth season, it’s big. Actually, think very big: “It’s the biggest Fargo. The scale is tremendous. Fargo normally tells little stories that get out of hand. They’re about ordinary people, something happens, and then we get to see how evil ordinary people can be. This is quite different. We start off gangsters, so we’re beginning with bad people, and then it escalates.”

In 1950, at the end of two great American migrations — that of Southern Europeans from countries like Italy, who came to the US at the turn of the last century and settled in northern cities like New York, Chicago — and African Americans who left the south in great numbers to escape Jim Crow and moved to those same cities — you saw a collision of outsiders, all fighting for a piece of the American dream

https://bleedingcool.com/tv/fargo-season-4-teaser-apologizes-for-series-awkward-temporary-pause/

https://www.youtube.com/watch?v=I4ISTHi45_s

I just love this TV show, too. It’s been one of my favorites since the beginning.
In my opinion, it is a series for gourmets, for those who love a leisurely thorough film about life, the fates of people, criminal squabbles and monstrous circumstances. It is a stylish film about the intertwining of destinies and about life’s idiocy and inertia. Everything is in the genre of black tragicomedy, with humor and ambiguous colorful characters. Several plots are intertwined in the winter landscapes of the Midwest. Minnesota… you look, you are surprised and you believe that the stories are real (we are warned at the beginning of each series) - it is difficult to come up with such stories. The plot develops not at once, the first series as a rule a little about nothing, but events develop on an increasing basis. What else is good - each season as if made on its own.
Stories shown in each season, no doubt gloomy, often non-standard and bloody. Here, ridiculous death and betrayal, meanness and self-sacrifice, there is also a place for absurdity. What I have noticed from season to season is that female police heroes are positive, subtle and honest, but male police officers are pompous morons, at least. Probably can’t be otherwise in the country of victorious feminism) Each season can be watched separately.

they initially got me at “based on true stories” had to google to confirm as the story looked too unreal to be real.
but as you’ve said, they are possibilities that there are people who have lived life like this with fate ensuring their first action will open a series of events that will lead to there downfall. (at times we don’t even notice that)
the best part is also as you’ve pointed out, each season is independent of the next.

season one for me was the best as the guy had his stars aligned and had gotten away with murder only for him to mess it up leading to his own death.
but a good series.